Description
The Ultimate Headphones for your Digital Piano or Electronic Drum Set
The VMH-S100 sets the new standard for music headphones, delivering a superior monitoring experience via sky-high resolution, crystal clear sound localization, and remarkable sound isolation. The wide frequency range and detailed sound stage accurately relate every sonic nuance, while the finely tuned design offers richly immersive sound with superb isolation. These phones feel great to wear for long sessions, thanks to the comfortable ear pads and frame.
- Born from Roland and V-Moda to create the ULTIMATE headphones experience for your digital piano or electronic drum set
- Premium headphones expertly tuned for a smooth transition between composing, recording, and studio mixing
- Ultra-wide frequency response: 5 Hz to 40 kHz
- High-resolution clarity and precise sound localization
- Specially tuned over-ear, closed-back design provides accurate response and outstanding sound isolation
- Newly developed 50 mm drivers
- User-replaceable 3D-sewn ear pads for long-wearing comfort
- Metal frame and shields for lasting durability
- Removeable cable that can be attached to the left or right ear cup
- Comes with a carrying pouch, two cable lengths (1.5 m and 3 m), and a stereo 1/4-inch phone plug adaptor
- Read more at ROLAND
About V-MODA
Designed in Milan, V-MODA’s verve is to amplify an authentic music lifestyle via timeless products forged by unparalleled quality, fashion-forward design and an unequivocal passion for music and materials. V-MODA blends analog renaissance age inspiration, Italian design and precise Japanese engineering. V-MODA products have won 50+ editors’ choice awards and have become essential gear for the world’s top professional producers and DJs.
V-MODA joined forces with Roland of Japan on #808Day (August 8, 2016), to redefine and develop the next breakthrough in music products and push the boundaries of audio innovation to reach a global audience of music aficionados. V-MODA and Roland do not tune headphones only as the “artists intended” but as both the “instrument engineer and artists intended”.
